Tabs Out | V/A – The Long Halloween Mixtape

V/A – The Long Halloween Mixtape
10.21.15 by Mike Haley

halloween

Halloween can be a scary time. Hell, some might even say #tooscary. But if you’re the kind of person that can get down with spooky goblins and skittering critters, then Third Kind Records has the tricks and treats for ya. “The Long Halloween Mixtape” is a 105 minute (that is quite long) compilation wrapped in pages from the graphic novel of the same name. The tracks aren’t necessarily Halloween themed. You wont hear any haunted house sound effects or witches cackling, but instead an unbelievably tight curated mixture of experimental sounds. Much like a post trick-or-treat sack that contains everything from a razor blade cloaked in a Fun Size Snickers to carrot sticks.

Present on this 20 tracks monster are a few Third Kind veterans; Nicholas Langley who runs Third Kind with Molly Askey-Goldsbury, appears in a few forms, including collaborations with Ian Murphy. Wrong Signals. who released the satisfying “However, The Joke Became Serious” C40 last year, provide a fresh track plus one remixed by Fisty Kendal (who also give up a couple of cuts on this comp. Fisty also released a Third Kind tape alongside it). And a double dose from New Zealand’s Reflex Condition. The lineup is rounded out by names previously unfamiliar to me, but better late than never.

Not only is there no Halloween-theme on this Halloween mixtape, but there is also absolutely no marriage to genre either as the compass needle whirls for over an hour and a half. Concept Devices‘ eight minute opener might be the closest representation to a creepy 10/31 vibe. But as soon as you’re thoroughly coated in dank and malleable spans of low-pressure drone and a generous oozing of slender feedback, Wrong Signals accelerates the situation. A downpour of gum drops fall from the sky during their hasty, colorful delivery of sound before a blending into the next track. Oh, that’s another awesome thing about this cassette. Each track smoothly transitions from one to the next, with slight overlap, like a fine gradient. So when you find yourself surrounded by the enchanting melodies and compelling vocal supply of Erm & Charlotte (possibly my favorite track here) or buried in the saturated, gurgling fields of Slash’s Wormhole (definitely my favorite artist name here) you’l have breadcrumbs to find your way home. The question is, will you want to go home? Probably not. Proceed!

Don’t fret over becoming disoriented by the divergent buffet that is “The Long Halloween Mixtape”. Give in. Each artist does what they do with immense capability, and this tape deserves a full, devoted listen. The final three tracks sum up it’s sundry of sickness nicely. An excitable demonstration of experimental techno from Son Of Celluloid is the beginning of the end for this comp. Restless beats and vocal sampling morph into the symphony of disfigured seduction that is Reflex Condition’s second contribution “Lullaby Graveyard”. A tough one to explain here. A warm bath of awkwardness? A tormented nap? I don’t know, but I love it, as well as the bubbling synth finale by ModulatorESP. A brilliant ending to a powerful various artist offering.

This is, without a doubt, my favorite cassette compilation of the year. Buy it now.

Tabs Out | New Batch – Orange Milk

New Batch – Orange Milk
10.19.15 by Scott Scholz

orange milk

Orange Milk Records returns for autumn with a wicked batch of artists working at and above the 40th parallel. Grab a light jacket and take a stroll with four freaky neighbors to the north:

The second Man Made Hill tape for Orange Milk, “Totally Regular” features gritty recordings of smooth jams. Man Made Hill loves mad flow and wasp-attack envelope filters, and you can get your groove on while occasionally finding yourself pushed into old-school Ralph Records territory. Double and triple-dip as prescribed, and consult “Spoiled” for the best in contemporary luxury shopping lists.

Also returning to Orange Milk for a 2nd full-length (but don’t miss his killing track on last year’s 4-way split on OM, too), Larry Wish lays down a new set of overdubbed lounge-prog funhouse mirrors. Sprawling arrangements melodically twist through a series of forgotten side alleys, making the longest tunes feel like their own Choose Your Adventure novels (minus the sudden death pages). Wish knows his way around the drum kit, and his tempo shifts keep these jams from standing still no matter how far away from home they wander.

A striking followup to last year’s “AG_GREATESTHIT” on Umor Rex, “ad.sculpt tutorial” lives up to its name perfectly with a quartet of sculptural sound pieces. Created via MaxMSP coding, G.S. Sultan works with short bursts of rapid-fire electronic blips that nervously arrange themselves into the aural equivalent of Calder mobiles, well-balanced but sensitive to the slightest pulse of energy to burst into hyperactivity again. Serious rhythmic workouts for your brain, this is the perfect digital process-generated composition freakout companion to last year’s “Zones of Influence” by David Rosenboom on Pogus.

Tendencies brings us a 20-minute taste of Edmonton future funk on “Waterbed”, subtly drawing from the looped phrase manipulation of vaporwave (you get the chopped/screwed overcast skies most prominently on “その蒸気 2”), but with a focus closer to dance floors than closed dorm room doors. The last two tunes head way down tempo from the rest of the album, so don’t worry about getting your groove on as hard as you’d like right out of the gate—you’ll get a chance to catch your breath.

All four tapes are available individually, or in a four tape bundle, from Orange Milk Records.

orange milk thumb10.19.15: New Batch – Orange Milk

OM returns for autumn with a wicked batch of artists working at and above the 40th parallel. [Check It Out]