Tabs Out | Episode #135

135

Shells – Another Time (Unifactor)
Nervous Operator – Incoherent Reflections (Lapsed)
Mudd Corp – Oh. Snap. (Third Kind)
The Royal Arctic Institute – Russian Twists (Rhyme & Reason)
Anthéne – Reflections in Dust (Muzan Editions)
John Coltrane Quartet – Live at the Half Note (Audiofidelity Enterprises)
Tiger Village – Tact (Orange Milk)
Housefire – Electrode To Joy (Hot Releases)
R. Stevie Moore – Kaffeeklatsch (OJC)
Brian James Griffith – Inner Work (Histamine)
Zherbin – Perehod (OTA)
Windy Boijen – Vintage Cartoon Improv (Ephem Aural)

  

Tabs Out | What the Heck, German Army?: Another Four Tapes

What the Heck, German Army?: Another Four Tapes
11.6.18 by Ryan Masteller

I thought it might be interesting to try a little experiment. Being the enterprising moron that I am, I played three of the four recent German Army (the good one) tapes simultaneously to see if the result would bug me out enough to abandon the experiment before it really got going – you know, “Zaireeka”-style. You’ll be happy to know that I made it all the way through the first several tracks of “Vieques” (Madriguera), “Mangas Coloradas” (Muzan Editions), and “Terroir Place” (Genot Centre) before I abandoned it because I couldn’t focus on what I was writing Marge is this a pimple or a boil? The result was not crazy – sure, the tracks competed in a way that I wasn’t used to hearing, but overall the mood of each piece fit: the murky abstractions of “A Bedsheet” blended well with the gritty string samples of “A Dream Supplanted,” all underscored by the tribal rhythm of “Obscuring Origin.” Sounds like a GeAr remix album. Speaking of which, who’s doing the German Army remix album (which will probably just sound like German Army in the end)?

These tapes continue the German Army modus operandi of presenting a historical or topical event/person/situation, extrapolating on it for the length of an album, and drenching it in the duo’s trademark warped tribal/industrial/post-ambient moods. What do they have in store for us this time?

–“Vieques” is named after the Puerto Rican resort island, which was devastated by the passage of Hurricane Maria. The rhythms of a hardscrabble life in the aftermath punctuate the album. (We all know how the United States responded to that disaster. It wasn’t pretty.) Also, the US Navy once used the island as a “bombing range and testing ground,” at least until they were protested the hell out of there. I’m not 100 percent certain, but I think I sense a pattern of the United States behaving poorly in situations of humanitarian crisis in German Army’s work… Whoa, wait, is that singing?

–If it’s even possible, “Mangas Coloradas” is a much more somber affair – a reverence hangs over the work, which shifts into dulled anger and back again with barely a ripple. Coloradas was an “Apache tribal chief” known for “his fighting achievements against the Mexicans and Americans.” He was hoodwinked by “Brigadier General Joseph Rodman West, an officer of the California militia and a future Reconstruction senator from Louisiana,” which led to his doom. As he arrived to meet with West under a flag of truce, he was instead seized, tortured, and killed. Diplomacy at work! Anyway, “Magnas Coloradas” is definitely among the bleaker pieces in German Army’s catalog.

–“Terroir is the set of all environmental factors that affect a crop’s phenotype, including unique environment contexts, farming practices, and a crop’s specific growth habitat. Collectively, these contextual characteristics are said to have a character; terroir also refers to this character.” I learned all about that in “Authority,” book two of Jeff Vander Meer’s Southern Reach trilogy. Scientists used the idea of “terroir” as a lens through which to view Area X. We can apply this to German Army as well. What is German Army’s “terroir”? How does it manifest itself to the world? Well, the answer lies, at least a little bit, in stuff I already wrote up there. But maybe the duo is applying their critical eye to farming practices too? Aren’t smallholders and subsistence farmers in steep decline worldwide? Aren’t farming regulations particularly fucked to favor corporations, especially in the United States (ahem, Monsanto)? Is that Norelco fucking ETCHED? God that looks gorgeous. Hope it doesn’t break.

Juan Neopmuceno Cortina Goseacochea has been called the “Red Robber of the Rio Grande” and the “Rio Grande Robin Hood,” a particularly apt subject for the GeAr-heads to tackle. The “first ‘socially motivated border bandit,’” Cortina’s militia was driven into Mexico following the country’s defeat in the Mexican-American War in 1848. German Army conjures the wilderness of the Rio Grande borderlands on “Nepumoceno Cortina,” a dry, dusty collection of fritzed electronics. This is also the newest of the four tapes, not even released as of this writing! You’ll have to wait until Halloween for that. (Or, if you read this after Halloween, it might be sold out from Denver’s Cloister Recordings. Edition of 100, 5 left!)

Four distinct pieces of the German Army puzzle, four fantastic odes to the plight of the average person. Do NOT let injustice win out. Let’s all get angry at something worthwhile and do something about it.

Tabs Out | Eyerolls – Eye in Hell

Eyerolls – Eye in Hell
11.5.18 by Ryan Masteller

Eyerolls is how my mom looks at me. Eyerolls is how my wife looks at me. Eyerolls is how my kid looks at me. What did I do to deserve this? Am I some kind schmuck who somehow doesn’t get it? Like, I don’t know what the heck I’m doing and everyone’s writing me off? I’m stuck here in the middle of all these eyerolls. I can’t escape.

Eyerolls is fucking eyerolling me too! Pummeling me with scornful sonics as I just sit here, on the couch, doing nothing to nobody. Z. Salwen’s doing it, and “Eye in Hell” may as well be “I in Hell,” for all the good it’s doing. Salwen’s got my number.

But hey, maybe this isn’t so bad after all – in fact, what I can do is strap on a pair of aviator headphones and forget all about the haters with “Eye in Hell,” blocking out the negativity and sinking ever deeper into my own crapulent self-indulgence. I mean, hell doesn’t necessarily HAVE to be bad, am I right? We can navigate this treacherous territory with a modicum of mental competence when it comes down to it.

Z. Salwen takes the long-running Eyerolls brand to the next level here. Ramming strangely tolerable noise into proto-synthwave IDM warble, Salwen weaponizes gooney melodies until they’re warped shards of sandblasted and dangerously serrated electronics – too dangerous for the average listener to handle. They giggle and tease before they sock you in the mouth, dancing just outside the range of predictability. Actually, pretty far outside of that range, if we’re being honest.

“Eye in Hell” isn’t as malevolent as it wants to be, yet it’s far less conventional than some “electronic tape release,” the staid kind without any adventurous spirit. Eyerolls is super adventurous – you just may end up down some paths that aren’t quite as comfortable as you’d hope. Plus, all the time with those looks; I mean, my god.

“Eye in Hell” comes on a ninety-minute cassette with the album on both sides. It’s packaged all nice and stuff “in a plastic clam shell case with custom-printed card sleeve and obi strip. Buyer gets choice of cassette stock: Maxell UR or XLII.” I got UR, but I wanted XLII. ☹