Tabs Out | Episode #131

20180901_235248

Dante Augustus Scarlatti – Dimensional Synthesis (Auris Apothecary)
Charles Barabé – De la fragilité (Astral Spirits)
Crazy Bread – Vocoder Divorce (Astral Spirits)
Forest Management – Love Manual Vol. II compilation (Plush Organics)
Bridges of Königsberg – Mendacity (4 GRE)
EQ Why – Life of the Why, The Mixtape Volume 1 (Third Kind Records)
Demonator 4 soundtrack (Trash Monger Video)
Edwin Perry Manchester – Hopechest split (Impermanent Project)
Mary Ocher – Faust Studio Sessions and Other Recordings (Related Records)
Malaikat dan Zoo – s/t (Noise Bombing)
Yves Malone – Aced (Baked Tapes)
Tavishi – Dwait (Hot Releases)

  

Tabs Out | New Batch – Housecraft

New Batch – Housecraft
8.30.18 by Mike Haley

My inbox is less than exciting, usually sporting corespondents regarding whether or not I have received someone’s tape in the mail, 10% off coupons from The Container Store, or liberal groups I inadvertently gave my email address to asking for money with subject lines like “They Murdered Tony’s Dog Because Of This Law!”

Today was different.

Today I got an email with the subject HOUSECRAFT UPDATE 2018.

If you’re not familiar with Housecraft, they were a sinew of mid-2000’s experimental cassette mythos. Real important stuff, folks. They never actually went away, but operations slowed down considerably over the past few years as Jeffry Astin did whatever it is people do. Work? Travel? Murdering Tony’s dog? I have no clue, and I’m not about to start asking. My focus is strictly on the three tapes the dropped in said HOUSECRAFT UPDATE 2018.

Those three tapes are rich with the power of Astin: J/R (Astin & Raymond Reitano), Digital Natives (also Astin), and Jeffry Astin (this one is obvious, right?)

All editions of 42, the tapes are frustrated collages, truncating concrète warble, AM interference, and whatever was lying around the shoppe into one of Ernő Rubik’s cubes. Gone is the classic gauziness of Housecraft, replaced with no-logic perplexity that sometimes toes right up to a Tim & Eric bit, most ubiquitous on Astin’s “Recognizely Immedeated” C77 as competing voices talk about “your wife’s cleaning” or “jeff’s five favorite things.” (Spoiler: one of his favorite things is listening to sparklers up close. Sounds fun!) The abstract smoochings continues on J/R’s “Assuredly Volatile Iterations”  before landing on “Bad Acid’s All the Fun” by Digital Natives. This 2xC40 shows a weakness for structure and network, crafting “songs” out of the surge. Bonkers, all bonkers!

Head on over to Housecraft and pick these up before they go off-grid again. RIP Tony’s dog.

Tabs Out | M. Crook & Oxherding – Soft Moon

M. Crook & Oxherding – Soft Moon
8.29.18 by Ryan Masteller

The Midwest: what’s going on out there? You’d never know it just by looking at a map, but there are people who inhabit the land between the coasts, living hardscrabble lives among the distant waystations in a wasteland barely able to sustain itself under the baking sun. These people are the true Americans, comprising the backbone of this great nation as we fight for gasoline and water. Real heroes.

Wait, I’m just getting a report that the Midwest is actually a pretty nice place to live, and I’m confusing it with “Mad Max: Fury Road.” Uh, haha, sorry – you can see where the confusion might come in, can’t you? No?

Well.

Matt Crook and Fitz Hartwig (Columbia and St. Louis, Missouri, respectively) are true Midwesterners, true Americans, embracing the entrepreneurial spirit our Founding Fathers baked into the Declaration of Independence, toking the spirit of freedom in their First Amendment rolling papers. Crook cofounded the Dismal Niche label as well as the Columbia Experimental Music Festival, and he plays some guitar or another in “folk-drone outfit” Nevada Greene. Trust me, you’ll like it.

Fitz Hartwig makes music as Oxherding and just launched the new label Distant Bloom. Why are these things important? Fitz makes music as Oxherding on THIS VERY RELEASE, the one I haven’t talked about yet (this is all leading up to the big finale), and THIS VERY RELEASE was dropped like a hot potato by none other than the Distant Bloom Record Corporation. I’d draw you a map, but I don’t think you need one to connect the dots; also, it too would look like something out of “Mad Max: Fury Road.”

Of course, if you’re familiar with the work of either of these guys, you’d know what to expect, what you were in for. And so, with “Soft Moon,” Oxherding takes a couple of guitar pieces by M. Crook and deconstructs them, reconstituting them as sonic cloud formations in the enormous sky visible over the center of our great country. There they billow and drift, raising the spirits of those who come in contact with them, pulsing hope and purpose into their very being. Each ten-minute meditation stands as a golden beacon of pure distilled optimism. A bald eagle appears in flight. (Big finale.)

This edition of 50 pro-dubbed, pro-printed Chrome cassette tapes is available from Distant Bloom, or any other brave retailer who truly stands for American greatness.