Tabs Out | Episode #125

125

Uton – Sax On, Sax Off (Eiderdown)
Meme Vivaldi – 420 Deluxe (Ingrown Records)
Attenuated – Ideomotor (Space Slave)
Tyler Damon and Dave Rempis – Full Yum (Park70)
Jadelain – Unravel (Atlantic Rhythms)
Meng Qi – Sidrolz (Obsolete Staircase)
Legion Of Mary – Live April 12, 1975 Scranton PA (no label)
Marlo Eggplant – split w/ Arvo Zylo (No Part Of It)
Phil Maguire – Fower/Fowk (Dinzu Artefacts)
Christian Mirande – Property Line/Plunge Pool (Unifactor)
Snubnose Frankenstein – Rappin’ Ass Nigga (Lil Fat Tapes)
QBLA – So Far (Bonding Tapes)
Presidiomodelo – split w/ Machinefabreik (Tandem)
La Forêt rouge – Le Maquillage de tou le monde coule (Cuchabata)
Somnoroase Păsărele – auto[1] (OTA)

  

Tabs Out | New Batch – Inner Islands

New Batch – Inner Islands
8.17.18 by Ryan Masteller

Hear the song that wrote itself. The one that emerged organically, fully formed from the oxygen in the depths of a human lung, from the carbon exhalations gobbled up by plants on their continuing path of photosynthesis. It is all around and in the air and the water, in the matter that comprises our flesh and our blood and our bone. Hear the song that wrote itself, life on the wind, in the currents of the ocean, in the core of the sun.

The song that wrote itself has a name: “Dream Warriors.”

Just kidding! Had you going there. But it’s not a joke when it comes to Inner Islands, the Oakland label run by Sean Conrad, who believes in natural healing through sound and discovering the center of the self within artistic practice. So you’d be dang right if you expect this to be meditative stuff, New Age all the way, lovely gossamer threads of twinkling sound that slowly drift over the mind and cocoon it against the outside world as it seeks to discover the, ahem, “inner islands” of identity.

Ashan is Conrad himself, and “Far Drift Afield” will do exactly what its title promises, escort your spirit to a faraway place and allow you to embark on “an unguided tour of imagined landscapes” where songs write themselves, sound spontaneously emerges as if it were created from nothing. It’s a beautiful idea, and my imagined landscapes are probably pretty similar to yours, all sunshine and fluffy clouds, endless fields, cool breezes, trickling streams. Unless your idea of serenity is the center of a volcano. If that’s the case, I don’t know how to help you. Your copy of “Far Drift Afield” would melt in there.

Not to be outdone in the inner-landscape-conjuring game, Kenji Kihara of Horiuchi, Japan, drops “Scenes of Scapes,” which is less of a title and more a modus operandi of Inner Islands itself. Kihara follows Conrad in whipping up amazing places in my mind where I can find peace. The serenity of summer, both the beginning and the end of it, the depth of an afternoon sky, sunbeams warming the flower-covered meadows, the Milky Way visible in an unpolluted night sky, the glow of life within myself. Kihara hears the same song that Conrad does and interlocks with it in dense and heavy harmony. Feel the life force flowing through “Scenes of Scapes.”

Both tapes come in editions of 100, and both have absolutely ace j-card art, created by Sean Conrad himself. Gorgeous stuff. These tapes are worth getting just to look at them.

Tabs Out | Andrea Pensado – As Within So Without

Andrea Pensado – As Within So Without
8.16.18 by Ryan Masteller

Andrea Pensado chops some junk all up. She’s not like the normal cut-and-paste producers, mind you – Pensado’s style is all tension and little release, no easy way out of this. Static and voice are surgically scalpeled together, then apart, then together, then FUCKING IN THE RED, then jabbed repeatedly in your eye sockets till you get one of those sharp headaches in your frontal lobe. I mean, not LITERALLY stabbed by a scalpel in your eye sockets. Where would the fun be in that? You’d lose your vision after listening to this tape, and plus, Pensado would have to put a warning label on j-card, and she’d have to recall all the tapes to do that, and that’s just too much of a hassle. The jabbing is metaphorical.

Trust me, I’ve just listened to “As Within So Without,” and I can still see.

Andrea Pensado chops some junk all up, but she uses the fragments as architectural building blocks. She creates distinct sonic sculptures with all those dangerously sharp slivers, as terrifying as they are fascinating, barely recognizable as human creations. The seethe, they vibrate with conflict, they stretch until they’re bound to snap, like cables holding a bridge in place until an alien spacecraft blasts the shit out of a load-bearing column. Then, almost in slow motion, the bridge collapses upon itself, and the sound is simply fascinating. Such is “As Within So Without.” So, the architecture is crafted to be destroyed, ever replayable through the magic of rewinding, never less than dangerously volatile in the presence of human ears.

Look but don’t touch “As Within So Without” at FTAM Productions’s Bandcamp page. Or, uh, I mean, look and then buy. Finger wounds be damned.