Tabs Out | Bary Center – Guide Me Through the Hills of Your Home

Bary Center – Guide Me Through the Hills of Your Home

8.4.20 by Ryan Masteller

Friends, we’re gathered here today for a somber occasion, one for which fanfare may or may not be appropriate (I haven’t decided yet). See, Mark Williams, the man behind the beloved Bary Center brand, has decided to hang up his spikes, as it were, and walk away from the moniker he made so popular, thereby burying it six feet underground in the cemetery right outside this chapel. See? A somber occasion. 

But it’s also one for joy! Sure, there’s the whole “Let’s remember Bary Center fondly and celebrate his career” thing, but there’s also the fact that he’s dropped one last BC tape on us before he rides off into that big old ranch in the sky. (My metaphors are all over the place today.) Not only that, he’s back at it with Brighton superlabel Third Kind, which is releasing it as catalog number 50 – a milestone! We sure do love our round numbers around here. [Ed: That number isn’t funny at all.]

So do you see my predicament? I’m not sure I can balance the emotions on this one. Maybe we’ll just ask our organist to play “Guide Me Through the Hills of Your Home,” chock full of beautiful psalms, and revel in its delight. Oh, our organist, Peg, is under the weather, so we have a replacement organist for the day. And I’m now seeing that he brought his own, much larger organ.

Or, uh, his own, much larger tape deck.

As you can hear from its synthesizer euphony and delicate rhythm patches, “Guide Me Through the Hills of Your Home” is a clear-eyed journey into what’s next. Meditative, contemplative, reflective while also looking to the future, Bary Center’s mood here is of the universal variety, one that anyone can slip into and out of whenever they need a moment of relief from whatever’s happening to them at whatever time. And of course, Bary Center and Third Kind simply fit together as kindred spirits – Williams and label showrunner (and awesome musician) Nicholas Langley previously appeared together under the four-way Third Kind split “Puzzle Time,” itself a glorious celebration of timbre and tone.

No circus music or plates smashing on the ground or whistles or anything of the kind involved at all. Just good, old-fashioned delight. 

So let’s give a proper goodbye to Bary Center, and a hearty “Best wishes!” to whatever’s on the horizon. And cheers to Third Kind on catalog number 50. This IS a joyous occasion!

“C60 housed in a black card box, includes three double sided photograph cards and a quality A4 print of Kate Tumes unique embroidery piece ‘A Benediction.’ Box edition strictly limited to 70 copies.”

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Tabs Out | Strategic Tape Reserve in Bite Sized Chunks

Strategic Tape Reserve in Bite Sized Chunks

8.1.20 by Mike Haley

Okay okay okay, I don’t want to waste anyone’s time! Gonna make this very fast. Almost TOO fast, maybe? You could be thinking “whoa, slow the h*ck down this is TOO fast!!” I don’t care, we gotta get this done.

Strategic Tape Reserve (who you know, or should know) posted the vid STR020-STR042 Release Survey. It includes 8 seconds from each and every title in their bonked out catalog. Look, I can prove it:

See? I was telling the truth. To piggy back on the absurdity I asked STR to submit 8 words on each release. You can find them below, but a warning: We at Tabs Out cannot confirm that each of these is exactly 8 words. If you happen upon one with, for example, 6 or 9 words (heh heh) please contact us IMMEDIATELY as we will need to send STR to cassette jail (aka: they can only release 3″ CDrs for two years). Enjoy!

STR002 (VLK): STR’s second release revisits Shaquille O’Neill’s second release.

STR003 (STR Staff): Wait, but what about STR001? Um… that’s lost.

STR004 (VLK): Last sounds in billboard list just before Y2K.

STR005 (Beauty Product): Cheese-funk done three ways. Retirement community wave.

STR006 (The Modern Door): Ethnographic recordings of traditional musicians from Lower Saxony. 

STR007 (VLK): Leckeyan survey of schunkeln, congalines and arrhythmic clapping. 

STR008 (Jöns): If Jöns sends you a demo, DON’T respond.

STR009 (Belmont Lacroix): Nothing matters under Mr. Chicken on Rialto Boulevard.

STR010 (Emerging Industries of Wuppertal): Music for North German industry-themed gymnastic spectaculars.

STR011 (moduS ponY / Belmost Lacroix): STR’s shortest cassette. Banana confection. Legs akimbo.

STR012 (Mr & Mrs Chip Perkins): Sad New Jersey yuppies’ dinner party doom-lounge.

STR013 (Youth Championships): Frank Lloyd Wright’s estranged son invented Lincoln Logs.

STR014 (VLK): Conservative radio / Canadian pop punk in a Camry.

STR015 (moduS ponY): Talking people get distorted. Everything is contorted. Ouch.

STR016 (Emerging Industries of Wuppertal): Polyolefin cracking models consumer-grade music production processes.

STR017 (Zherbin): Eerie tape loops from Finland. Unsettling. Also spooky.

STR018 (The Tuesday Night Machines): Low-bit Alpine hymns. Peeks crushed. Gameboys yodel.

STR019 (The Blank Holidays): Noisy folk freakouts. Please don’t really break things.

STR020 (Suko & moduS): Long distance collaborative odd-lounge with cow sample.

STR021 (Emerging Industries of Wuppertal): Hacker shit. Recorded using a home desktop computer.

STR022 (V/A): “Jock Jams” for low-velocity pole-walking enthusiasts.

STR023 (The Tuesday Night Machines): Made under canvas with locally-sourced tropical audio.

STR024 (moduS & VLK): Intercontinental camaraderie. Diocletian’s hometown imparts format and tone.

STR025 (HAWN): Post-incident pulled apart New Orleans no-wave. 

STR026 (Whettman Chelmets): Old 4track tapes plundered. Which ones? Nobody remembers.

STR027 (Gwasg Gelert): Illicit, unauthorized Welsh-language Dan Brown audiobook soundtrack.

STR028 (V/A): Big dreams of small supermarkets. Wear a mask!

STR029 (Nicholas Langley): Essential nutrients. Brighton based krauty surf rock reworks. 

STR030 (Severino Pfifferling): Wasser wird durch rotierende Sprüharme auf Geschirr gesprüht.

STR031 (qualchan.): Woozy Pacific Northwest night walks. Watch your footing.

STR032 (The Tuesday Night Machines): TTNM’s 2nd tent-based tape – ON A CAR.

STR033 („DJ VLK”): Ja – la  la  la,  la  la  la… Scheißegal!

STR034 (V/A): A shop window memorial of odd audio curios.

STR035 (Uli Federwisch): Helicopter rescue anthem. Synth sax to the max.

STR036 (Q///Q): Lost voices recovered from a bed of noise.

STR037 (Wether): Athletically-gifted pet inherits found tapes, modular synths.

STR038 (Leaaves): The appropriate number of worlds for such sound.

STR039 (Chorchill): Whispers on the Ruhr. Where is Apel Okuyan? 

STR040 (STR Staff): NOT an audio codebook. Just some normal synthpop.

STR041 (The Tuesday Night Machines): Wooden synthesizers. Felt j-card. Actually from the future. 

STR042 (Whettman Chelmets / qualchan.) :Release prediction! Chelmets / qualchan. tape in September 2020.

Related Links

Tabs Out | Episode #158

South City Hardware – Redirected Midi (Third Kind Records)
Deep Learning – Dataverse (Salmon Universe)
Keith Fullerton Whitman – To (a) Certain Extent [i] (Hi-Res Audio)
Detestifi Yellow Swans – s/t (self released)
Operator G – The Poison Toad Bongo Killer (Ghost Jazz)
10th Letter – Escape From ATL (Deanwell Global Music)
Hippies Wearing Muzzles – Euler Haze (Moon Villain)
Clipping. – There Existed an Addiction to Blood (Sub Pop)
Tim Stine Trio – Fresh Demons (Astral Spirits)
Hex Breaker Quintet – Goodnight Sweet Traveler (Baked Tapes)
Mo Nicklz presents J Dilla – Worlds Greatest Producers vol 2 (self released)