Tabs Out | Patient Sounds 2019 preview

Patient Sounds 2019 preview

1.15.19 by Mike Haley

Patient Sounds ain’t no spring chicken, bub. 2019 will be the label’s 10th year in existence. That is a full decade of sounds oh so patient, and they are kicking`19 off the same way they have in years past: A couple of preorders and an open call for submissions (plus a few digital optical and risograph goodies). Here we go.


PS108 – Regarding the Music of Others – Shank Trilliams

Cut and lassoed into tightly wound bangers, this wobbly beat tape bobs and skips like a busted jukebox at the nearest honky tonk and it will knock your dusty boots right off. Step into some sneakers and pop across the square dance. Brandon Eckes is Regarding the Music of Others. Here, he takes a stab at an American Icon’s warbly catalog, chopping it into a laconic set of vagrant hustlers and bustlers. There are moments when that branded horse’s hide sticks its ass clear out, but most moments find the whole thing marred, wry and charming. With that fetching hitch in his giddy up, ol’ Shank moves to the city and makes his come up, looking distinctly dope in those streets and shades. Approachably horseplayed. Swagger along and slide in time with proper regards to those rodeo roots.

PS107 – Margraff & Yantis – Ohne Eile

The quality of a walk as determined not by the pace, or the distance, but by the landmarks passed. A leisurely wandering in proximity to infrastructure, vista, rubble. A memory is called up at every crumbling edge. Ohne Eile is the first collaborative work by the duo Rene Margraff (Berlin, Germany), and Cody Yantis (Colorado, USA). This expansive set of compositions explores a tacit dialogue between two remarkable and distinctive musicians. Sauntering into jarring electroacoustic sputter and warped guitar, churning static and tense orchestral stabs, and settling into a lilting and highly textural ambient haze, the compositions on Ohne Eile display dynamic grace, a sense of narrative, and an accessible and casual curiosity. This duo exchanges ideas, harmonizes and disuages, settles, second guesses; their dialog is even and their discourse is balanced. Some moments sprout curiously and tenderly, sticking a head through the grate tender green, others are stubborn and rugged, a bent steel beam of light, intertwining and oxidizing openly with the scenario.

Open Window 2019

“Every year from January 1st – April 1st we open a metaphoric window into our office/ears and let anything in. This is our unsolicited demo window. Please follow guidelines and your music can and will be considered for release on cassette tape in 2019/2020.”

Check out the full details and guidelines for the Open Window here.

1.15.19: Warm Gospel

Big Cat – II

SkyScraper – Nature vs. Nature vs. Nature vs.

Melty Smiler – Reddy Tanny Bluey

Huxley Maxwell – Bummer City, Dude

LORETTA ABERDEEN – Kanye West’s Backpack Fatbeats ’96

J Hamilton Isaacs – Tolerance Clock

g9 – 9g

Tabs Out | Sparkling Wide Pressure – Love ov Love

Sparkling Wide Pressure – Love ov Love

1.15.19 by Ryan Masteller

I feel it in my fingers, I feel it in my toes …

The latest lovefest from Sparkling Wide Pressure is an actual paean to actual love, like Frank Baugh’s been hanging out at the arrivals gate at Heathrow Airport around the holidays or something. More likely he’s been hanging out around the arrivals gate at Nashville International Airport, a 45-minute drive from my brother’s house in Murfreesboro, where Baugh also lives. Come to think of it, why on earth would he want to hang out at NIA? Totally pointless.

Metta meditation. That’s where it comes from, inner peace; also communion with family, friends, loved ones, the earth, the trees, the sky. “Love ov Love” doesn’t take the easy route of simply being a warm blanket, though; instead, it rummages around the corners of love and explores its intricacies, teasing out complex feelings. Utilizing a variety of acoustic and electronic instrumentation along with the human voice (for the most human of feelings), Sparkling Wide Pressure winds a bunch of disparate and fascinating elements together. At times dense and at others weightless, “Love ov Love” is a fascinating examination. There comes a time on the title track, which closes the album, when you realize that you CAN just let it wash over you, the acoustic guitar and the organ/synth/whatever tones. It’s a captivating moment.

It’s a Sparkling Wide Pressure moment. We should be used to those by now.

Pink translucent tape in an edition of 30 available from SWP himself. Maybe a Kimberly Dawn release (kimdawn062), but didn’t Frank shutter that label in 2016?