Look At These Tapes is a monthly roundup of our favorites in recent cassette artwork and packaging, along with short, stream-of-thought blurbs. Whatever pops into our heads when we look at/hold them. Selections by Jesse DeRosa, Mike Haley, and Scott Scholz.
Sam Gas Can - Plays The OP-1 (HEC)
Art by Joe Bastardo
[Borat Voice] You like my little piano, it's niiiice? You sit on very comfortable silk I play you song? [/Borat Voice] Joe Bastardo masterfully simulates the vibe of cheesy self-help tapes and other gems that make the best thrift store finds for Sam Gas Can's latest. Complete with faux wear-and-tear, an eye massaging color scheme, and the turtlenecked master of ceremonies place dead center, inviting listeners to lord knows what, "Plays The OP-1" is a perfect cover. There wont be a better Jcard this year or next.
Genetics And Windsurfing - Nonlinear Record (Orange Milk)
Art by Keith Rankin
Cover art whiz Keith Rankin has a powerful, iconic style, but his design for this new Genetics and Windsurfing jam adopts a different direction than many of his orb-filled, "weird objects balanced in a cool landscape" pieces. Instead, we catch the redeye to a sort of industrial landscape with Giger-esque flourishes coalescing around its edges. And what better to illustrate nonlinearity than textures evoking perforated sheet metal, its structured honeycombs itching to become urban geodesic domes when the temperature of this intense music reaches the melting point? The tight shifts in the music are perfectly captured in cellular visual form.
Rick Weaver - The Secular Arm (Hausu Mountain)
Art by Max Allison
Life may have you burning your candle at both ends, desperate to maintain balance in your life while juggling all your sources of stress. It's best to keep perspective - it could always be worse. You could be burning seven candles from either end while the monkey on your back ponders bringing everything to a crashing halt. But even then, you got some sweet threads, so, gotta ask, who's your tailor? Straddling the edge of reason never looked so fashion-forward.
Lucie Vítková - Music Domestic (Bánh Mì Verlag)
Art by ?
The 'hand in a hole' trope has quite an exhaustive history, worked into countless thrillers and horrors, from classic slasher films to cheesy haunted house flicks. It has become so entrenched in our collective minds that its predictability inevitably yielded shtick for sitcoms and TV commercials. But none have subverted the device as much as Vitkova, whose new tape on Banh Mi Verlag disrupts the drain-gag set-up so entirely to deliver an improbable catalog of household-sourced jams - 8 tracks of vacuum cleaner drones and fan blade percussion, with a diverse range of appliances taking center stage.
More Eaze / Ben Varian - split (Truly Bald)
Art by Jake Tobin
The fine and fancy folks at Truly Bald have taken the idea of the split cassette quite visually with their latest jam: I'm not sure who produces bowling pins and who turns out the dice, but one can only imagine the transcendent plastic polymers sizzling one floor above in that gigantic pipe. This cover also doubles as a phenomenal little 3-D animation over at the Truly Bald Facebook page, as whimsical and wild as the sounds found inside.
Chik White - Raft Recordings From Economy (Notice Recordings)
Art by E. Lindorff-Ellery and Sheryl Haws
The gorgeous letterpress designs found on most Notice Recordings tapes are always classy in their understated directness, but everything about this Chik White design especially pops. This one has the effect of a well-loved woodcut piece, perfect for illustrating music produced at sea in a vessel built by the artist. White's story of the musical and nautical journey recorded herein is included in a little booklet, featuring great shoreline sketches on its reverse.
CRZKNY - Groove 2 (Outlines)
Art by Iwona Jarosz
There is no lack of less-is-more / black-and-white / rando-shapes-and-lines artwork in the tape game, but something excites the senses a touch more when it comes to the Outlines label. I can't put my finger on it, but it's electric. Motionless in print, but still "fast" somehow, as if lines are going to rapidly shoot off of the paper like lasers. Or maybe that black ball will drop and begin to bounce with perpetual motion. The aliens that come to Earth to create crop circles - these are the mysterious crop circles on their planet. Blueprints perhaps? But what do they mean!?
Howard Stelzer - Sun Pass (Moss Archive)
Art by Joe Bastardo
Everyone's favorite elementary school-teaching, tape manipulating noisenik Mr. Stelzer is documented here on a journey to the South, dropping wild sets in sunny Florida. The artwork beautifully captures a sense of warmth and growth, while still alluding to the patinas, filters, and general heavy textures found in these live jams.
Venta Protesix & DJ Kimchi - LOL (Dokuro)
Art by ?
The series of events are as such: We started talking less on the phone and more on the internet. We came up with shorthand to let friends know that we were laughing (out loud). Years later that shorthand was printed on a t-shirt. A woman wearing that t-shirt killed the half-brother of North Korean leader Kim John-un with a toxin. She claimed that she thought it was a prank for reality TV. Within days a picture of her was the cover of a cassette tape. So, to sum things up, reality is fucking weird and folding in on itself.
Constellaton Tatsu - spring batch
Art by Steve Ramsey
For those who see a lot of cassettes produced at National Audio Company, you're probably familiar with opening a tape case to find side B facing you. It's a pet peeve of mine, to be honest, when I'd rather have the A side out and ready to play. Constellation Tatsu's new batch, however, features a fine set of vibrational patterns that wash all of the OCD manufacturing gently away.
staticnosis, Haha Mart, Cabo Boing, Acid Fountain, Long Distance Poison, Nonhorse, Lisa, Orthodox, Olson and Billington, Sam Gas Can, Rangers, Skyjelly, Fletcher Pratt, Convivial Cannibal, eelxb, dschulez, [klsr], and Lester, Nowhere. All brought to you by Dwarfcraft Devices. [Play] [Download – right click/save]
5.4.17: Poor Little Music
PLM149: Meme Vivaldi “Mona Lisa Smoking A Pipe” C48
PLM150: Royal Hungarian Noisemakers “Overdose” C48
PLM151: Achilles Polychronidis and Rob Michalchuk s/t C30
PLM152: Nich Worby “Lucy” C30
I have spent a week or two listening to “Come Home” three or four times a day, but I still feel as if I don’t have the right words to praise it. I’ve thrown about comparisons to Bonobo and Boards of Canada, and while they do seem apt, it’s only because of Pyramidal‘s penchant to draw from the deep wellspring of late 2000’s downbeat electronica. Still, that doesn’t go far enough for what may be my favorite tape from the always on point Already Dead. There are also definite nods to hip hop (I wanna say trip hop, but is that even okay in 2k17?), warm, lush, and rounded synths, snaps that are perfectly dusty, and bass that hits just right.
This cassette was released back in November of 2016, but came to me in February, just in time for the constant deluge of rain that Cascadia is famous for. The weather provided plenty of time to sit around my apartment taking it’s sounds in, windows open, a soft patter outside, while smoking a pre roll. As a matter of fact, that may be the best time to list to this tape. “Come Home” is an album to be heard to from front-to-back, as each song propels the next forward. The album starts out on a park bench, with a field recording of a siren wailing and feet crunching on pavement. Voices chatter in the background, giving way to dark, drafty chords swathed in reverb. The second song, Life And Upbringing with it’s lovely sampled harp, lends the feeling of sitting in a brightly lit corner of a room with sun shining and dust motes floating around while Love Should Be Easy, is full of beautiful night tones; Walking under streetlights, enshrouded in a dark sky’s drizzle. My Old Cassette, the most straight forward nod to late 2000’s hip hop, doesn’t sound out of place against those tunes or older Brainfeeder releases. “Come Home” covers much ground, rounding things out with sumptuous synth swells (and what I -think- is marimba?).
Juice Machine – Sparkling Water 5.2.17 by Mike Haley
A Google search for “Juice Machine, Sparkling Water” will mostly bring up Soda Stream and for-the-home, luxury juice making device related links. But if you keep digging deeper and deeper, all the way into the subbasement of Google (where they keep the really weird shit), you may finally happen upon a freshly squeezed C30 from the Portland duo Juice Machine called “Sparkling Water.”
“Sparkling Water” is the second release from LA-based label Steady Hand Records, it’s sounds extremely detached from refreshing sips of a carbonated Mango-Tango. On this recording the Juice Machiners – Heather Chessman and Roger Smith – anxiously fidget, pushing out primal electronic squeal and clanging metals, almost making noise in contention with each other. As if one member is playing Checkers and the other Guess Who (on an official noise table no doubt), the pair’s improvisations tumble together into a frustrated, low rent jumble. The battle for gnarled-psychedelic space is all in good fun, their ammo of twisting knobs is friendly fire after all, no matter how damaged the sounds become. And they get pretty damaged. Sonic stammers bounce all over this damn cassette, throwing themselves at low end galloping clunks and general nonsense. Noise!
If you hear this tape through the speakers of a beverage serving mall kiosk, run. Either towards or away – your call. In the meantime, head on over to Steady Hand and buy a copy.