Tabs Out | Prayer Rope – Synodus Horrenda

Prayer Rope – Synodus Horrenda

7.14.22 by Jacob DeRaadt

Synodus Horrenda on No Rent Records is my first exposure to this project by Lexi C.M.K Turner. A sound that I heard a lot from tape trading friends in the ’00s is on display here: amplifiers mic’d up and feeding back in unruly tormented fashion. Sustained intensity approaching a meeting of Mathausen Orchestra and mid-period Ramleh guitar feedback, although I don’t feel here a guitar sound as much as a harsh noise rotten tone. Some tapes just get you from the beginning and this one did it for me. Bear witness to a real monolithic crushing sound that builds patiently and never relents in intensity for sustained periods of time, fuzz baths for days of filthy feedbacking, bludgeoning tones. 

Harsh harsh harsh noise, in every sense of the term. Play loud on headphones while drunk late at night. Almost starts to drone for a second before relapsing back into shrieking fuzz swells that are intoxicating in rich texture. Side B’s beginning is a bass tone buried beneath stereo fucking ugly crashing demented filth that wouldn’t be out of place on a David Gilden tape. In your face and intense shit that doesn’t let you have any breathing room. It fills up all the space without becoming a constant wall, rather things are always shifting under the surface in dimensional relationship in the muck. This tape has won me back over to a style of harsh noise I thought I’d grown tired of. If you like brash ugly burly harsh noise that’s unrelenting this will be right up your alley. Sold out already. Wah!!!!

Tabs Out | Body Shop – Hissy Hits Live at Pulp Arts

Body Shop – Hissy Hits Live at Pulp Arts

7.12.22 by Matty McPherson

Out in Orlando, FL, Body Shop’s punk flurry is a sight to behold. You’ll have to bypass a few different Body Shops out in the Bandcamp barrens to find their angular, never-out-of-style artisan style punk that debuted on last year’s FL3SH WORLD. That’s a tickler of a punk EP, itself the byproduct of pandemic hiatuses and a need to push out ideas into the wild. This year though, the band’s partnered with Miami, FL based Crass Lips, itself a local DIY institution that’s quickly mainlined continental connections and booking prowess around the country. Both Body Shop and Crass Lips are a keen fit.

Hissy Hits LIve at Pulp Arts is a raw-throw down of a live in-studio. Six nitty n’ gritty tracks that pretty much run the gamut from any dance-keen rhythm sound from ‘78-’84. Heavy on the dub bass, edging bits of the Police’s Zenyatta era pop prowess, with vocalist Kat’s sing-a-long lyricism itself imparts quite a performance. Times like this when I hear releases this strong I have to wonder if punk is all mathematics and not passion and performance. 

Perhaps a combo of both? While it didn’t appear on FL3SH WORLD, the grooved out bliss of Searchers is practically my answer to that quandary. For a whopping seven minutes, Body Shop lay down dub rhythms as Kat saunters through the scene, wailing with gusto. Even with those rhythms holding us to the floor, its not hard for Kat to quickly burst for the ceiling or cause a bash of whiplash when their sound hits the red. Endlessly addictive, easy to latch on to. No matter why Crass Lips was thrilled to run a quick batch of tapes available at their Bandcamp.