9.17.20 by Ryan Masteller
I keep getting tapes in the mail, and I have no idea how this USPS thing is going to shake out, but maybe if they keep treating my packages like this, it’ll be good riddance to them! [Note: I do not feel this way.] I mean, if a tape’s going to get here without being properly temperature controlled, there’s no point in even listening to it, is there? Take this Siihhi tape for instance – “Totallo” showed up in my mailbox after festering in a hot mail truck all day, so of course it’s gonna come out sounding all wobbly and warped. That’s just what happens when plastic gets too hot – it melts.*
Wait, what? “Totallo” is SUPPOSED to sound like this? Well, that’s a whole different story, and I apologize to the fine men and women and non-binary employees of the Postal Service who are doing their job perfectly and without reproach. In fact, “Totallo” is such an intriguing and unusual listen that I might just tip my mail carrier the next time I see her. Because, from what I understand, you shouldn’t shoot the messenger for bad news, but you should totally shower them with credit for good news. I mean, I guess I should laud Siihhi, the artist, as well as the label Cudighi Records a little bit too. Siihhi being the creative and all, and Cudighi ponying up the dough to fire this off into the public. So, kudos guys – well done.
Originally released digitally in 2017 and dubbed to physical cassette in 2020, “Totallo” is a wonderland of loops and melodies presented as worn diary, the pages disintegrating the moment the last word is read. It’s a hissing, warbling lesson in leftfield exotica, and its charm is virtually impossible to ignore. Add to the fact that if it does indeed arrive in your mailbox damaged it’ll probably still sound cool, and you have a winner of a release on your hands here. And its dense, humid beats-and-samples makeup could only originate from … Finland? Is that right? Oh well, I guess they have volcanos or something in Scandinavia. Iceland anyway.
*This melting thing wasn’t my idea – I stole it from Tristan Bath at the Quietus.
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