groffic – Bad Luck Comparing Hands
6.14.23 by Matty McPherson
Don’t anticipate to find much information on groffic currently. A twitter that indicates a presence between Texas and Oklahoma with work that dates back to 2021, a groffic gorilla logo by Jordan Kelley, and a bandcamp page that ponders “Does it think of me as much as I have given thought to it?”. All is mystery to my eyes, but the truth is that Bad Luck Comparing Hands, the groffic debut cassette self-release, untangles the mystery a bit. There’s a picture of a friendly looking individual inside, someone who likely haunts the country fauna of the Texas plains. It was mastered FOR CASSETTE by none other than Angel Marcloid, whom is thanked alongside glitch[dot]cool, God is War, Semantix, Little Mountain House, and a few other artists that possibly suggest a semblance of a scene–part meatspace, part digital–of likeminded individuals working together in realms of “hyper”-glitch, high-pitch jitterbug electronic listening music, and deconstructed rave textures.
If those genre labels sound enticing (or you like early PC music), well Bad Luck Comparing Hands, is likely going to be an incredibly smooth soulful listen. groffic’s thirteen tracks are giggly, bubbly romps; illuminating synapses in the process that construct a pathway out of the club and into the psychedelic tropics of that j-card. A lot of which is the result of groffic’s pacing across the 13 cuts. Tenacious and high-wire like Orange Milk or Hausu Mountain sleights streamlined into a full fizzled DJ mix stuttering on command. Tracks sort of collapse into each other, united by a whatever thread was last on the mix: a vocal texture, a fizzling high bpm drum, or a synth line that keeps the eye on the prize. The result is that downtime on Bad Luck Comparing Hands becomes a rarity, but its not to be treated a luxury; groffic’s one-track mindset is such a draw itself that the tape’s consistent punchy textures and dopamine jackpot deconstructions. It’s other worldly big sounding music. Less focus on the low-end package, with a greater emphasis towards vocal frys, metal sounds, and hyperrealist urban blights in mid-end that wake one from a pre-conscious slumber. You’ll seem to have a greater realization of where you are as you hear the tape.
As such, it makes natural sense that groffic didn’t just do a cassette release. There’s still a handful of “DIY VHS includes the entire album accompanied by visuals for each song which combine AI visualizations with other video”. These kinds of releases are rare–calling back to Already Dead’s release of Muave from early 2023–but I cannot help but endorse the release full stop. groffic’s tunes at their best moments on the tape carry that kind of potency of wearing the “THEY LIVE” sunglasses, realizing everything around you isn’t what it is. To marry that to new images, like the one suggested on the cover, only seems to hint at where groffic is further taking the music towards.
Edition of 100 tapes and 10 VHS tapes are now available at the groffic Bandcamp page.